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Section
2: Influences/Inspiration
Some of your early influences included the likes of Jim Lee and Marc
Silvestri but lead in a different direction in art school, was there
anyone in particular that seemed to drive your style towards it's
definitive technique today? (v)
I grew up on comics books, but art school was a revelation: the daily
commute on the subway in NY, the easy accessibility of galleries and
museums, and the friendship of some great artists in school all opened
my eyes to the vastness of human creativity. My teachers at the School
of Visual Arts, Jim McMullan, Steve Assael, and Thomas Woodruff, were
particularly influential on my thought processes and technique.
What was your earliest artistic influence? (vii)
The ephemera in Taiwan was probably my earliest influence... Voltron,
trains, packaging art on toys we couldn't afford, and pictures of big
tractors in magazines.
Do
you feel certain artists influence different aspects of your art? For
instance, I think Hokusai was particularly inspiring in his use of
blending colours. (v)
Certainly, Hokusai is also inspiring as a draftsman; I also look at
Yoshitoshi and Hiroshige for colour and composition. In general, I'm
influenced by many different sources, from Shanghai advertising
posters to Russian Constructivist collages.
Who are some artists you admired as a fan? How
about now as a pro? (ix)
In school, I was really into Chris Ware, Dave
Cooper, Daniel Clowes, and Charles Burns. I also look at lot of
painters like Neo Rauch, Inka Essenhigh, and draftsman like Yoshitoshi
and Hokusai. Henry Darger
is a big one, and that leads one to look at Marcel Dzama…the list
goes on.
How much time do you spend watching television? Do you read the
newspaper? (vii)
I don't own a TV, though I should probably get one to keep my visual
acuity up to speed. When I was a kid, I would eat cereal every morning
and read the newspaper: a glance at the front page, a perusal of the
lingerie ads which were illustrated in ink and marker, and then
straight to the comics section. Nowadays, instead of the newspaper,
the internet keeps me fairly up to date on things but it can get
addictive like cigarettes.
Where do you find your greatest source of inspiration?
(vii)
In suffering. And I redeem myself a little bit every time I paint --
minus a few points when I surf the Internet for
"inspiration" instead of going outside.
What other areas do you commonly draw inspiration
from? (History, literature, film, music, etc.)
(i)
Life can be one big swipe
file.
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